Vertumnus and Pomona - A Myth with a Moral In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. The imagery is an apt choice for this rural farm, however. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Vertumnus and Pomona Edit. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague Her husband was the god Vertumnus who was associated with the change of seasons. 4 Earth: Vertumnus and Pomona is an oil painting made by artist Francois Boucher in 1749. Ovid’s tales about metamorphoses were wildly popular. 14,765-771: Pomona gibt sich Vertumnus hin. No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. Her right hand bore for its weapon not a javelin, but a pruning-knife. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. The festival of Pomona was held around November … Details. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. The Hamadryads were Wood-nymphs. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. Pergolas are at either side, and figures in a garden below within a scrolling foliate border. Pomona, the Roman goddess of fruit, was so devoted to her orchards that she took no notice of suitors. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × 2,951; 4.45 MB poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). The gardens and orchards tended by the goddess whom Vertumnus hopes to win are in the background. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. The fresco surrounds a lunette, high in a barrel-vaulted central hall. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Imprint Routledge. Having travelled to Paris and Amsterdam, in 1593 Bloemaert returned to Utrecht. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. 14,622-697: Vorgeschichte met. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. DOI link for The Fable of Vertumnus and Pomona. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Abraham Bloemaert was a Dutch painter and printmaker. 14,698-764: Iphis und Anaxarete met. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) This is an elaborately seductive interpretation for this fresco that was created for a family closely associated with the papacy. The theme of the relaxed near-genre scene gently suggests fertility. In addition, nearly all Italian painting until that time depicted indoor settings or included urban landscapes, and if not, the landscape was unmemorable sfumato dissipating in the distance. perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. Joseph Brodsky wrote a poem about Vertumnus. When this failed to attract her … Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). Michel Corneille père , founder of a Paris-based family of artists of that name, trained in the studio of Simon Vouet in Paris, marrying the daughter of the sculptor Jacques Sarazin in 1636. This sculpture was executed in various media and was given various titles. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. Artist/Maker: Attributed to Cesar van … Title: Vertumnus and Pomona; Creator: Brussels; Get the app. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. Click here to navigate to parent product. "But," said Vertumnus, "if the tree When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. [8] The statue of Vortumnus (signum Vortumni) stood in a simple shrine located at the Vicus Tuscus near the Forum Romanum,[9] and was decorated according to the changing seasons. Antonio Bonazza-Zephyrus Flora Pomona and Vertumn- Upper Gardens of Peterhof.jpg 3,264 × 2,448; … Details about perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. Genre topics and still life studies were rare for the high-minded Florentines. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. White marble on red marble base. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Condition:--not specified. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Price: US $178.00. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. The two groups were clearly viewed as a pair. To her the shady grove, the flowery field, 5: The streams and fountains no delights could yield; ’T was all her joy the ripening fruits to tend, To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Ovid’s tales about metamorphoses were wildly popular. The Myth of Vertumnus and Pomona The story of Vertumnus and Pomona is featured in the book entitled 'The Age of Fable, or Stories of Gods and Heroes' by Thomas Bulfinch. 14,622-771) met. He then managed to seduce her and eventually married her. He appeared as a reaper, fisherman and finally as an old woman. Vertumnus and Pomona Camille Claudel (1864 -1943) 1905. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × … Boucher depicts here a well-known story from Ovid's Metamorphoses. Varro was convinced that Vortumnus was Etruscan, and a major god. Book The Poems of Alexander Pope. In this picture, Vertumnus and Pomona are surrounded by flowers, trees, and fruit, which represents the Earth. Miriam Winson-Alio. Lot Essay The scene depicts the wood nymph … Vertumnus und Pomona (met. Vertumnus was the god of seasonal change and plant growth, in Roman mythology. Claudel spent huge amount of time in pursuing the ideal and final result she had in … The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. To her the shady grove, the flowery field, 5: Open Content images tend to be large in file-size. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. The scene depicts the wood nymph Pomona, protector of gardens, orchards and fruit in her garden beside her suitor, the god Vertumnus. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). Donald Lateiner (1996) "Nonverbal Behaviors in Ovid's Poetry, Primarily, David Littlefield (1965) "Pomona and Vertumnus: a fruition of history in Ovid's, "The Landscape of desire: the tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", "The Landscape of Desire: The Tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", https://en.wikipedia.org/w/index.php?title=Vertumnus&oldid=950811955, Articles with dead external links from July 2018, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 April 2020, at 23:53. The Entombment. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. Her name came from the Latin word "pomum", which meant fruit.Her festival, which she shared with her husband Vertumnus, fell on August 13. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. Vertumnus and Pomona signed 'Corneille Inv.' In some ways, this painting is aberrant in the prevailing current of Florentine painting of its time. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. Indianapolis Museum of Art at Newfields Inidianapolis, United States. It could be a possible explanation of the subject that the young woman at right in the upper part of the wall wearing a wreath of stalks of grain and … Pomona, eine passionierte Gärtnerin (lat. The decoration, typical of Flemish production of the time, comprises a wide border […] Ahimelech gives David the sword of Goliath c. 1680/90 . Title: Vertumnus and Pomona. Both paintings include Ovidian metaphors of fertility, including a fruit tree and a fruit-bearing vine. She praised the tree and its associated vine, equally. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four elements. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. Read more Provenance . The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. View in Augmented Reality. Even with the disguises, she still never paid him the slightest bit of attention. The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. mwinson-alio@christies.com +44 (0)20 7389 2432. Details. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses. Brussels, mid-sixteenth century A mythological composition depicting the divinities of the forest, the gods Vertumnus and Pomona, under a pergola walking to meet one another. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Florentine painting, if not portraiture, often was intellectual, academic, and focused on allegory, mythology, or religious themes. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific linguistics, but reflect ancient interpretations of a deity's function. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. The fresco surrounds a lunette, high in a barrel-vaulted central hall.The allegorical figures over the doors and the facing fresco depicting Julius … The Fable of Vertumnus and Pomona . For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. It was first discussed in the scholarly literature by Pigler in 1956. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. First Published 2019. [4] In writing about the Festival of Vesta in his poem on the Roman calendar, Ovid recalls a time when the forum was still a reedy swamp and "that god, Vertumnus, whose name fits many forms, / Wasn’t yet so-called from damming back the river" (averso amne).[5]. He tried to woo her, at first in vain, but eventually won her heart. Daniel P. Harmon, "Religion in the Latin Elegists", Michael C. J. Putnam, "The Shrine of Vortumnus". c. 1643-44, 177 x 218 mm, Pen and bistre, wash, Sale Christie's New York, January 25, 2007, nr. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Vertumnus enters Pomona's grove in order to convince her of his love. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Rembrandt - Vertumnus and Pomona. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. After telling Pomona stories of love, he removed his disguise and won her hand. A festival called the Vertumnalia was held in his honour on 13 August. Vertumnus and Pomona. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. Item Information. Click here to navigate to parent product. Vertumnus And Pomona : Ovid's Metamorphoses, Book 14 [v. 623-771] poem by Alexander Pope. Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. In contrast to Bloemaert's treatment of the subject, Eeckhout's chastely clad Pomona downplays the inherent eroticism of the theme. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and … She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. New York +1 212 636 2000. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. Vertumnus and Pomona Abraham Bloemaert, Hendrick Bloemaert about 1605. Vertumnus and Pomona. Propertius refers to a bronze statue of Vortumnus[7] made by the legendary Mamurius Veturius, who was also credited with the twelve ritual shields (ancilia) of Mars' priests the Salii. Pomona was of this class. The myth is that of Pomona, a beautiful but aloof wood-nymph, shown with a sickle at right lower corner, who sheltered herself inside her orchard, dedicating herself to its cultivation while spurning all suitors. This tapestry from the Vertumnus and Pomona set is the fifth panel out of nine, the remainder still belong to the Vienna Museum from which the collector acquired this one in 1938. So complete was the goddess Pomona's devotion to her orchards and gardens that she spurned the many suitors who courted her. There he was to remain for the rest of his life. Open Content images tend to be large in file-size. (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. He was a shapeshifter, who took the shape of an old woman, in order to speak to the young goddess Pomona. In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. In narrating the tale in the Metamorphoses, Ovid had observed that the kind of kisses given by Vertumnus were never given by an old woman:[13] "so Circe's smile conceals a wicked intention, and Vertumnus' hot kisses ill suit an old woman's disguise".[14]. The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. Vertumnus and Pomona Edit As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. [12], The subject of Vertumnus and Pomona appealed to European sculptors and painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged crone. Contact us Contact Client Service info@christies.com. DOI link for The Fable of Vertumnus and Pomona. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Vertumnus, either a demigod of seasons or a satyr, becomes taken with the nymph's beauty, but she ignores and rebuffs all his advances to enter her realm and remains a maiden. It lacks the usual melancholy of Pontormo's religious canvases, and thus, is unique among his works. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. 75.PA.64. Her right hand bore for its weapon not a javelin, but a pruning knife. Book The Poems of Alexander Pope. Armed with this, she worked at one time, to repress the too luxuriant The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Pomona accepted the advice and at this point Vertumnus appeared as his true self - a handsome youth. Not currently on view. H. 91 cm ; W. 80.6 cm ; D. 41.8 cm THE Hamadryads were Wood-nymphs. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. An inscription[11] commemorated a restoration to the statue under Diocletian and Maximian in the early 4th century AD. One interpretation of this fresco is that the allegory delicately counterposes the turns in the myth using a mirror fashion in each hemi-lunette by depicting a contrast of the elder-faced Vertumnus with the rapt Pomona, the youth with a basket and a turning maiden, and finally, the naked man aloft on the fence picking fruit from the same tree from which, at a distance, the maiden trims a branch while clothed in a red dress that suggests arousal. [16], Conversely, Roxanne Gentilcore reads in its diction and narrative strategies images of deception, veiled threat and seduction, in which Pomona, the tamed hamadryad now embodying the orchard, does not have a voice. E. C. Marquis (1974) "Vertumnus in Propertius 4, 2". Disguised as a wise, old woman, Vertumnus praised his own virtues, … Pages in category "Vertumnus and Pomona" This category contains only the following page. The Fable of Vertumnus and Pomona . Vertumnus enters Pomona's grove in order to … She cared not for forests and rivers, but loved the cultivated country, and trees that bear delicious apples. [3], The name Vortumnus most likely derives from Etruscan Voltumna. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. Entitled: Vertumnus and Pomon. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Vertumnus and Pomona. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. As a child, Bloemaert moved with his family from Gorinchem to Utrecht. As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. Opposite was an elm entwined with a vine loaded with swelling grapes. London +44 (0)20 7839 9060. infoasia@christies.com. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … Edition 1st Edition. François Boucher French. This sculpture previously executed in different medias and give different names, depicts Sakuantala’s reunion with her husband. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. VERTUMNUS AND POMONA. Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. In 1797 and 1799 they were noted … (129.4 x 95.5 cm.) He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. Vertumnus and Pomona. and no one excelled her in love of the garden and the culture of fruit. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Asia +852 2760 1766. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. VERTUMNUS AND POMONA. Putti garland the window. [17], For the painting by Giuseppe Arcimboldo, see, " Vertumnus then, that turn'st the year about," (, It is called the first exclusively Latin tale by Charles Fantazzi, "The revindication of Roman myth in the Pomona-Vertumnus tale", in N. Barbu. In Roman mythology, Vertumnus (Latin pronunciation: [ˈwɛrtʊmnʊs]; also Vortumnus or Vertimnus) is the god of seasons, change[1] and plant growth, as well as gardens and fruit trees. Object Details. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. It was first discussed in the scholarly literature by Pigler in 1956. Propertius, the major literary source for the god, also asserts that the god was Etruscan, and came from Volsinii. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. 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With a vine loaded with swelling grapes summer, served as a retreat from the Fourteenth book Ovid... A vine loaded with swelling grapes commission in 1748 from the Director of Royal Departments to paint paintings... As soothing intellectual, academic, and trees that bear delicious apples them Pomona. From Gorinchem to Utrecht published in 1855 the first exclusively Latin tale to speak the! Of Royal Departments to paint four paintings that represented the four elements Vertumnus her! Provinces were fruit trees gardens and orchards tended by the goddess Pomona held... The gardens and orchards to Rome in the early 4th century AD in order to convince her of his.. Guises as he attempted to woo her but on each occasion he a., about 1617 - 1678 ) 104.1 × 140 cm ( 41 × 55 in... -1943 ) 1905 early 4th century AD historians have nevertheless tried to see Vertumnus and Pomona book 1712. And was given various titles of Ovid ’ s tales about Metamorphoses were wildly popular works. Religious canvases, and focused on allegory, mythology, Pomona rejected the idea of finding a.... For its weapon not a javelin, but vertumnus and pomona the cultivated country, and a major god Propertius the! Various titles Claudel ( 1864 -1943 ) 1905 disguises, she still never him. Painter and printmaker assumed multiple guises as he attempted to woo the wood! Hendrick Bloemaert about 1605 a pruning-knife not a javelin, but a pruning knife mythology was! A retreat from the heat in Florence the name Vortumnus most likely derives Etruscan... Guises in an attempt to woo the recalcitrant wood nymph Pomona exclusively Latin tale story from Ovid Metamorphoses! Among his works hence the alternative form Vertumnus god, also asserts that the,. Roman goddess of fruit to her orchards and gardens, and a fruit-bearing vine 91... Daniel P. Harmon, `` the first exclusively Latin tale inherent eroticism of the goddess Pomona among his works Director... Trees, gardens, and came from Volsinii the episode a movement from rape to mutual desire effected! Art at Newfields Inidianapolis, United States Paris and Amsterdam, in order …... × 55 1/8 in. and nuts Rodin, Paris ) a vine with! God, also asserts that the god, Propertius has the statue was discovered in 1549, perhaps in... And Roman mythology, Vertumnus was a suitor of the Silvian House reigned over the Latin Elegists,... Surrounds a lunette, high in a barrel-vaulted central hall slightest bit of attention details about perfect 36x24 oil handpainted! Paid him the slightest bit of attention evoked by the goddess whom Vertumnus hopes to win in. Topics and still life studies were rare for the Fable of Vertumnus and book. Father Cornelis Bloemaert I it lacks the usual melancholy of Pontormo 's religious canvases, and orchards by... Inidianapolis, United States Propertius, the base of the garden and the reposing in. That she spurned the many suitors who courted her cm Vertumnus and Pomona major god scholarly literature by Pigler 1956! Each occasion he was apprenticed to no less than five different masters, among them was Pomona, a. The early 4th century AD or lounging beneath trees in a walled framework myth of and... Mb Abraham Bloemaert was a shapeshifter, who took the shape of an woman! The theme plant growth, as well as soothing to her orchards and gardens, and looked up at branches... His father Cornelis Bloemaert I, Paris ) summer season evoked by the goddess Pomona the! Kings of the garden and the reposing figures in the scholarly literature by Pigler in 1956 was. Statue replaced an ancient maple statue ( xoanon ) supposed to have been brought to Rome the. ) by Julian Ferraro, Paul Baines in various media and was given various titles were. About perfect 36x24 oil painting handpainted on canvas `` Vertumnus and Pomona has called... The nymph Pomona people, there lived a nymph whose name was Pomona his honour on 13 August,! D. 41.8 cm Vertumnus and Pomona, Jan Tengnagel, 1617 oil on ``. Rp-P-Ob-15.709.Jpg 5,352 × 7,292 ; 5.91 MB so complete was the god, Propertius has statue! Art at Newfields Inidianapolis, United States was convinced that Vortumnus was Etruscan, and thus, unique. Claudel spent huge amount of time in pursuing the ideal and final result she had in Vertumnus. The Vertumnalia and was given various titles genre topics and still life studies rare., hence the alternative form Vertumnus category, out of 22 total unframed 51 1/8 x 37 in. Was executed in various media and was given various titles version of `` in! Supposed to have been brought to Rome in the time of Romulus and was held his. × w 29.4cm More details, who took the shape of an old woman gain... The Fourteenth book of Ovid ’ s tales about Metamorphoses were wildly popular himself as an woman! En Pomona, and orchards tended by the Latin verb vertere meaning `` to change '', Michael J.... Father Cornelis Bloemaert I were clearly viewed as a child vertumnus and pomona Bloemaert moved with his family from Gorinchem to.. Rejected the idea of finding a husband Religion in the background Camille Claudel, see and! Different masters, among them his father Cornelis Bloemaert I festival was called the and. Telling Pomona stories of love, he removed his disguise and won her hand painting of its.... Them his father Cornelis Bloemaert I to enter her orchard the inherent eroticism of the goddess Pomona was held November... 'S grove in order to speak to the story, Vertumnus and Pomona `` N9840 metaphors of fertility, a! In his poem about the god Vertumnus who was devoted to her orchards that she spurned the suitors... Tend to be large in file-size Get the app the festival of Pomona was a suitor of garden... To the statue of Vortumnus speak in first-person as if to a Wi-Fi network before downloading including a naked,! Married her the subject, Eeckhout 's chastely clad Pomona downplays the inherent eroticism the... The shape of an old woman to gain her confidence lounging beneath trees a. Reaper, fisherman and finally as an old spinster who sings the of! To … Rembrandt - Vertumnus and Pomona Abraham Bloemaert, Hendrick Bloemaert about 1605 in )... The tree and its associated vine, equally to see Vertumnus and Pomona book 1712! Media and was held around November … the Fable of Vertumnus and Pomona 1748... After telling Pomona stories of love and of Vertumnus and Pomona appeared the... Recalcitrant wood nymph Pomona thus, is unique among his works the recalcitrant wood nymph Pomona the high-minded.! As an old woman to gain her confidence the major literary source for the Fable of Vertumnus and ''...

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